Art Gallery Opening

It was a beautiful day in late June, one of those rare, comfortable mid-summer days. The ones where the humidity is low and a cool light breeze blows through the air. After driving about twenty minutes to Intercourse, Pennsylvania through rolling farmlands, I arrived to what might at first seem a rather curious sight. Nestled among the shops peddling Amish made goods, quilts and antiques, an art gallery was hosting its grand opening. Curious indeed – but only to those not in the know about Lancaster’s not so secret art scene. I eagerly stepped into the gallery certain of what I would find.

A few minutest later, the sound of a violin and cello serenaded me as I sipped on a chilled glass of rose and took in the latest collection of art by Freiman Stoltzfus – personal friend and brilliant artist. A small crowd meandered inside speaking in hushed tones to one another excitedly. I caught snippets of conversation as I pursued almost as intrigued by those around me as the art itself. Who doesn’t love people watching? By all accounts, they were as enamored by the art as I was, but of course, his work was resplendent, as always. 

Fellow art enthusiasts

Naturally, I wanted to gush at him for a job well done one his second gallery, but one does not take up too much of an artist’s time on an evening like this. A gallery opening is not the time for catching up and conversing with the artist, but a time for him to mix and mingle with the crowd to sell his art. Manners dictated that I give him a polite hello, a brief congratulations and then space to do his job. An intimate dinner at a later time would be more than sufficient to catch up. 

Others mingled nearby, appreciating his use of color in combination with that subtle geometry of nature so prevalent in his works. Somehow his pieces manage to convey movement as well as sound, one can almost hear the pieces of Bach and Vivaldi when looking at them. His juxtaposition of nature and architecture transforms groves of trees into churches and flowers into stained glass windows. Many of his pieces harken back to his Amish roots and feature quilt patterns, pastures, fields and orchards.

I am always dazzled by the re-imagine of the themes that frequent his work. While he may often feature flowers or music, each time a different rendering or another motif has been added to the repertoire. As of this writing, his most recent motif has been Japanese, as he spent about a month visiting a friend in Japan. It is most reminiscent of Van Gogh’s own post-Japan phase. Who can blame either artist for being so enchanted by a country who created an entire profession dedicated to being a living work of art, the geisha? 

When one pictures a gallery opening, perhaps you see in your mind’s eye wealthy men and women milling around in a stark white room, sipping wine as they pretentiously critique the art that adorns the walls. Their oblique vocabulary and near incomprehensible assessment of the pieces in question may lead you to believe that such a place would not be for you. I assure you dear reader that art is indeed for everyone. After all, even the Neanderthals made art! The need and desire to create is embedded in our DNA! I am not recommending we jet off to New York City to attend some opening where an artist has squiggled across the page as some sort of obtuse commentary on the state of the world or art or some other thing. 

Freiman welcoming us all to his gallery

Don’t get me wrong, while I am not an aficionado of the art world and certainly not contemporary or modern or postmodern or whatever we’re calling current art these days, I can appreciate art as a commentary piece. I just object to having to read an entire essay in order to understand a work – at that point, you probably could have skipped the art and gone to the essay, but to each their own! Although, one could make an argument that the piece itself conveys emotions that an essay cannot. I shall halt in my musing less this become its own essay on modern art and its merits. I shall leave you to your own musings, gentle reader. 

This post is for those of us who want to appreciate a more accessible, down to earth art. Few people are going to look at a Renaissance, Neo-classical or Pre-Raphaelite painting and scratch their heads going “I don’t get it”. They at least can identify the subject matter even if they might not fully understand what the artist was trying to convey, the culture surrounding its creation and the values of that culture to influence the work. These however are a good 200 – 400 years old in terms of styles and one may be forgiven thinking the only art being produced these days are bananas taped to walls. However, there are many artists who paint in the older styles with a modern flare. Not every artist is a pretentious snob deriding the masses for simply not “getting” their art and walling art off as some sort of exclusive club. Most, if not all, really are producing art for everyone. They want their pieces to be appreciated by the most unsophisticated child to the greatest art critics of our time. They range from the bright playful colors of Brito, to the surrealist fantasies of Nam Das, to the impressionist Slava Ilyayev and beyond. 

There are many places in the various towns and cities across America where these artists gather either to sell together as a collaborative effort or in their own small galleries. Some blend art and craft together in an almost seamless line where you can’t quite decide where craft becomes art. I suppose the easiest is that crafts tend to have a practical purpose whereas art simply exists for beauty’s sake. I recommend going and checking out the local artists. I especially love speaking with them, learning about their passion, hearing why they tend to pick certain subjects or colors. Go and check them out, see which artist speaks to you and then lend them your support! 

Whether you attend a gallery opening or not, do take time to look at art. You will find your spirit enriched by the experience. Art connects us, communicates with us in a way words cannot, what we see reflected in art is also a reflection of ourselves. Art is creation and destruction. Art reaches across boundaries. Art can propel movements and shake empires. Art can also be a simple thing like a deep breath after a long day of work or a cool glass of water on a hot day. But whatever art is, it is for everyone. 

One his his many cartography inspired pieces

How can you go to an art gallery or exhibition opening?

It’s simple! Find your local art community and watch out for events. You may find your local university frequently displays artists or even one night events at your library. You may be surprised at the talent you see displayed or that your local artist is actually world renowned! Some may be a bit more humble on both counts, but that wasn’t really the point.

Completed: July 2021

Miles from home: 15 miles

Cost: Free to go (most openings are)

Art Cost: You most likely will not be able to purchase the art at an opening because let’s face it, we’re budget bucket listers and having 3 grand to drop on even a modest painting is not something we can do. However, many artists have alternatives such as giclées and prints. Freiman usually has a small collection of 6×6 paintings for $125 to help make his art accessible to those who want original art without the large price tag. 

She’s a Hooker! Learning to Crochet

My mother was the one who first introduced crochet to me as a craft that was something other than for grandmothers. When she first became disabled, she suddenly found herself with plenty of time on her hands but not a lot of energy by which to do things. She could no longer fill her days with work and housework. She spent most of her time in bed and as so many of us learned during the pandemic, there is only so many TV shows and movies one can watch before feeling stir crazy. So with plenty of time on her hands, she returned to the crafting of her youth, in this particular case knitting and crocheting. Suddenly our house was being filled with piles of yarn that were transformed before my eyes into elegant scarves, beautiful shawls, stylish hats and warm gloves. I was surprised by how the things she made actually looked fashionable. In particular, I was fascinated by crochet with its ability to take on shape and form so unlike other textiles. Naturally, I wanted to learn.

Despite what you may have heard, there was not a strong association between crochet and prostitution. The lace of the ladies of the night had nothing to do with this fine and noble craft! Crochet originated as an art form in the 1800’s coming from “shepherd’s knitting” which was primarily practiced in Denmark and tambour embroidery, a chain-stitch embroidery from China. Despite its French name meaning “hook” it was actually most popular in England, going to show that the upper class English are quite determined to continue the Norman conquest some 800’s years later. Just kidding! The art continued to flourish and especially took off in Ireland during the potato famine as a way for young ladies to earn a living. It wasn’t until about the 1940’s that it became more popular over here in America and of course in the 1970’s it gave rise to the granny squares. 

It was with this long and noble tradition in mind that I picked my first project. A simple hat in lime green. I picked lime green primarily because it was a bright color by which to see and learn on. I sat dutifully next to my mother and she began to teach me. In principle, it is a matter of making a loop and then pulling next bit of yarn through the loop, to make another loop and so on and so forth. They use simple terms like yarn over which is just wrapping the yarn around the hook to be able to pull it through one makes bigger. What makes crochet interesting is that because it is so basic one can do things like wrap more yarn around the hook, pull it through a different hole than the one right next to it, twist it one way or the other in order to make interesting shapes. You can make blankets, clothes, flowers, even toys! The world is really your oyster when it comes to this art form. 

However, as with most things it is easier said than done. One would think that one would get a nice uniform size of loops by dint of the size of the hook. After all patterns call for certain sizes of hook in order to ensure the holes are that size. Not so, apparently I subconsciously tense and my holes become smaller and smaller and smaller until my darn hook can barely fit. Then my stitches become bigger. This pulls the existing fabric one way or the other. At times it was truly an exercise in frustration. My mother gave me different pieces of advice and assisted with getting it less lopsided. She encouraged me to keep trying while her pieces continued to dazzle. She made it look so easy, so relaxing, like going for a stroll in the park. My stroll consisted of going up a mountain in the pouring rain followed by falling down the mountain and landing face first in mud. Still, the hat did get done, misshapened as it was and too small for my own head, it graced the head of a stuffed bear. 

Having been abysmal at crocheting, I tried knitting, another noble art form, but failed to even knit a scarf as the problem of “tightness” was even worse with the knitting needles. I literally could not knit loose enough to fit my needles through the holes I was making as they became ever smaller with each stitch. Alas, it would seem that such an art form is not really for me. 

What can be gleaned from this bucket list item? Was it a failure? A waste of time? First, there is value in persistence even in the face of low performance. After all, no one’s first attempt at anything is particularly spectacular. The point was to gain a greater appreciation for the art, to try my hand at it and get the literal feel for it. I had a much better understanding of crochet afterwards, even though I could not replicate it, I had at least begun to develop an eye for the art form. There was a certain satisfaction in completing the project. Sometimes the act of persistence and perseverance through a difficult task makes the task worth it. After all, does it matter how one summit the mountain? 

One of my mom’s scarves

Finally, it was something that I could do with my mom at a time when she couldn’t do much. She had just suffered a stroke at the age of 46, lost her job, lost her income and a lot of her physical abilities. It kick started the next twenty years of surgeries and multiple hospitalizations. There were times when she almost died and so having spent time with her learning one of her passions was in of itself important. I was able to connect with her in a new way through her art. I may not ever get very good at it, but it is something I shall carry with me as a gift from my mom to me.  I do not have that hat with me anymore. I did not see the need to keep it because I have the memories of learning with my mom.

How can you learn crochet?

In the wake of the pandemic lockdowns, many people took up various arts and crafts, including crocheting. There is a rich world of online tutorials, classes at local craft stores and kits you can buy offline. The start up cost can be very little with kits starting at 15 bucks or so. You don’t even need to leave your house and it’s a small project that can be taken anywhere. 

If crocheting isn’t for you, maybe there’s someone special in your life who has a hobby you’ve been meaning to learn. Take the opportunity to ask them to share their passion; maybe find a small project that you can try your hand at. I’m sure they’ll be glad you asked and afterwards you’ll have a newfound appreciation for what they do. Who knows you may find yourself a new hobby!

Completed: 2007

Miles from home: 0 miles 

Cost: Free materials provided (15 – 20 for a starter kit from amazon)