Considering the movie version is at its height of being popular, It seems that now is the perfect time to write about my very first Broadway Musical experience, Wicked (from my Reverse Bucket List).
I must confess my confusion that after 20 plus years of being on the stage, the musical is still so beloved that it should have such a large fanbase that has flocked to the theaters to see it and sing along. It certainly is a good musical, catchy music, compelling characters, interesting plot, and full of deeper themes that will stand the test of time. However, I just hadn’t heard much about it since it first debuted back in 2003 which followed on the heels of the 1995 book. Seeing all the excitement surrounding the movie version of it has made me reminisce about my Broadway experience.
I was in my senior year of high school when the music department was able to schedule a trip up to New York city in order to see Wicked the musical. As our high school was about a 3 hour drive from New York, it wasn’t too far for us to do occasional class trips. As it happened, this trip was scheduled for the day after another trip to New York to see the Darwin Exhibit – so I happened to go twice in one week (but a post for another time). I had recently read the book from my library, curiosity finally winning out to discover what precisely had everyone in such a frenzy of excitement. As my school had done the Wizard of Oz musical in my freshman year, i was extremely curious to not only read the story from an alternative point of view but see the story from an alternative point of view.
Our field trip actually began in the later part of the school day as the performance would not be until the twilight hours. We piled onto the charter bus as a group of exuberant, nerdy teens ready to take on the world. For most of us, this would be the first time seeing a Broadway musical and for some it was their first time going to New York. The air was palpable with excitement which soon wore off after the initial jostling for seats and everyone settled into their places for the long trip up. There was the usual chatter, the occasional flirtatious glance between people, whispered gossip and playful teasing for which groups of teens are known for.
I was no different sitting with my friends and giggling most of the way uncertain of exactly what I was in for. I had of course heard of the infamous broadway and grew up watching various performances of musicals recorded on video. I didn’t know precisely what made Broadway so special other than that was where musicals were born. Even though I had just seen the famous city, I had not yet visited when the daylight fades and gives way to the bright lights of the streets. Would it really transform itself as I had been lead to believe?
As the bus rolled along, we began to start seeing signs for New York and signs for Wicked. The excitement on the bus began to build once again. The energy was barely contained within the seats. For myself, I remember half bouncing up and down in glee. Shortly – though not nearly quick enough – we had arrived in the big city. We were given leave to divide ourselves up into groups and we were taken to have pizza.
I remember walking through the streets taking in all the sites. The daylight had just started to fade, turning the sunlight to rose. There seemed to be too much to take in at once. Buildings towering over us. Music blared over the cacophony of sounds, traffic, horns, and construction. We spotted a street performer. Cars were everywhere, some of them quite unique like the limo humvee which alternatively amused and baffled us as quintessentially New York. Looking up we saw the famous billboards and lights, soon they would light the night and block out the stars and moon.
We were ushered into an upscale restaurant which was known for its pizza, though to this day I cannot quite recall its name. But I recall the atmosphere quite well. Like most upscale restaurants, the lighting was dim which only accentuated the richness of the dark wooden panels on the lower part of the walls. The upper half seemed to be a lighter cream though the shadows obscured the truth. I distinctly recall that we ate on the upper level looking down over the rest of the patrons. Perhaps, knowing that they would play host to rambunctious adolescents they wisely seated us away from their other customers lest we became a disturbance. If we were, I did not hear of it, though I cannot quite imagine that we were not at least slightly disruptive. However, most of us had been raised with at least decent enough manners, the problem of course is that when in the company of other teens, those manners seem to get forgotten.
I will fully admit that while yes, I had the infamous New York pizza, it didn’t really taste all that much better than the pizza I order from down the block monthly. Granted, the pizzeria is owned by a 2nd generation Italian immigrant whose grandparents owned a restaurant in Italy, so I may be a bit spoiled when it comes to Italian food.
What I remember most about the evening after arriving at the theater was that it was both exactly what I expected and not what I expected at all. First, dear reader, you must recall that a Broadway musical or really any theatrical performance “on Broadway” could take place on any one of 41 stages in New York City which can seat 500 or more persons. There are in point of fact only three theaters located on Broadway itself: Broadway Theater, Palace Theatre and Winter Garden Theatre. So even though one might picture Broadway and one of these three theaters, one might find oneself in a theater several blocks away.
Prior to going to a Broadway production, my theater experiences consisted of the Fulton in Lancaster and the Hershey Theater, neither of which are architectural sisters to those in New York. So while I had a vague notion of what a theater looked like from pictures and movies, it was still in juxtaposition to the Hershey which was designed after a cathedral in Venice and the Fulton which was designed as a Victorian Opera house. What struck me most was the sheer amount of red velvet that they had at the entrance. It seemed quite a bit odd while still ornate. I remember thinking that the entrance was a bit smaller than I had imagined as we were ushered into what seemed to be too small a space before opening up into a larger area.
To be honest, the venue vaguely reminded me of a posh movie theater. It had a more modern flair and everything was a rich dark red and black accented with golds. Sound was softened by the lush carpet so that the conversation of the crowd swarming inside was a hushed murmur around me. Everywhere I looked people were smiling with an eagerness of anticipation. Once inside the theater, the air positively hummed with the activity of people quickly seeking out their spots. I was situated stage left towards the middle of theater close enough to see well enough but not to really see the more subtle expressions of the actors.
It hardly mattered, from the moment the curtain rose and the first notes rang out, I was transfixed. Glinda floated down in a sparkling blue dress singing that no one would mourn the Wicked Witch. I remember watching the Wizard dance around the stage with Elphaba’s mother singing and giggling with one another, a slight deviation from the book already. By the second song of Dear Ol’ Shiz, I was taken up into the story which asks what makes someone wicked? The very same question that first led me to explore psychology and later a career in social work.
It’s hard to exactly describe the sheer spectacle of a broadway production from the sets to the costumes; everything is meticulously crafted to convey subtle messages and create impressions which help tell the story. Scattered throughout were small references to the original Wizard of Oz while still firmly establishing the differences from the source material. It began to take an almost dreamlike quality where your mind begins to fill in the holes that the set leaves open, a few trees become a forest, a few mock houses spring into a whole town until your mind is sort of tricked into thinking there was more than there really was.
It could be that it’s the songs that help weave the enchantment for there is ever magic in song. It makes it easy to slip out of solid reality and into the dream realm. After all, it’s really only in dreams that people would be singing and dancing to tell a story. Perhaps, the music really does help place your mind in an altered state allowing you to more fully experience it. The choreography only adds to dream as people twirl about the stage becoming whirls of color. During the songs with larger ensembles it becomes too much to take all in, your eyes unable to drink in each movement and the lyrics blend together in your ears.
However, just like the spells woven in the musical, so too, does the spell the cast holds over the audience eventually shatter. The last song sung, the last line spoken and as if on cue the audience breaks into applause the thundering of hundreds of hands slapping together creating a wave of discordant sound which rouses them out of their half dazed slumber. Half stumbling out into the night and slightly stiff from sitting too long, the crowd begins to dissipate. Each person with a sort of half glazed look in their eyes as if they aren’t quite free from the enchantment of the stage. Patrons speak excitedly to one another, a few hum, fewer still hum on key. A number of them will most likely find themselves in bars later drunk on more than just showtunes. For a group of rowdy teens, the only thing left to do was to be herded back onto the coach bus.
Considering the lateness of the night, we returned in relative quiet, the lights were turned low to allow us the opportunity to sleep. I was never one to really sleep during transportation, did not. Although the next day, I was exhausted for yet a third field trip with my German class, but that is a post for another time. I recall mostly stumbling into my bed in the wee hours of the morning resigned to the idea that in only a few short hours I would have to return to the waking world. Still, as I lay in my bed the songs played over in my mind and my dreams were swirls of color.
Years later, I went to another Broadway Musical, this time Kiss Me Kate, a retelling of Shakespear’s Taming of the Shrew. The magic that was cast was as real as the first time. Time once again was suspended and I was overtaken by the spell of the theater.
How can you see a Broadway Musical?
If you are lucky enough to be relatively close to New York City, then it is quite easy for one to get there. You can either be like my music department and secure transportation for the same day knowing that you may end up crawling back into your bed in the wee hours of the morning utterly spent and exhausted or you can arrange to stay overnight like I did when I went with my sister with a hotel close by. The latter option is of course far more expensive.
However, my sister and I had tacked on an evening in New York as part of a larger trip as we were departing from New York. We had determined that rather than trying to get to New York the same day as departure we opted to go the day before to ensure that we did not miss our cruise ship. This is certainly an option I encourage you to consider when traveling, dear reader. If you find that you need to arrive to or depart from a city you otherwise would not travel to, consider if it’s possible to extend your trip by a day in order to enjoy the sights. My sister did this in Barcelona as well and I hope to do so in London. If one is going to be there anyways then it is far cheaper in the long run to spend a little extra on a day rather than spending even more later on a separate trip.
Still, not everyone will be traveling in and out of New York nor is everyone able to travel to it on a lark for a day trip. Then the principle of the thing is what one must turn to. Now a Broadway production is a grand thing, but it is not the only way to enjoy a Broadway Musical which is a genre rather than the thing itself. There are many beautiful and glorious venues which put on performances of musicals. Take the earlier mentioned Hershey Theater which is a masterpiece of architecture. The quality of performances that have graced its stage are certainly equal to New York’s Broadway or London’s West End. Some performances may even surpass what one may see on Broadway depending on the quality of the actors, costumes and set pieces.
There is after all nothing inherently magical about a particular venue, Broadway just happens to be the place where most musical productions are developed and debuted. It is the place to go if you want to see the newest musicals; it is not the only place with capable of phenomenal performances. This is great news, as you, dear reader, are almost certainly within a reasonable distance of a grand theater which hosts performances. I encourage you to go forth to your nearest performance hall and find yourself lost in the magic of musical theater!
Completed: Spring 2006
Cost: Current cost $100 – 200 per ticket
Miles from home: 150
Budget Bliss: Bucket List 