Paris, Part 5: A Perfectly Imperfect Weekend

The day was winding down. The museum had closed, and the sun was beginning its slow descent. Erika and I stepped out into the cool, crisp spring air, the kind that carries just a hint of evening chill beneath the fading warmth of the day.

The urgency that had driven us, our mad dashes across the city, our constant checking of maps, began to dissolve. In its place came something softer. A quiet curiosity. Without a list to check off, we were once again free to fully embrace the moment. 

We wandered without purpose through streets washed in dusky light, watching as Paris slowly stirred to life for the night. Café lights flickered on one by one. The low hum of conversation drifted out onto the sidewalks. Glasses clinked. Laughter rose and fell like a tide.

Paris, it seemed, was just waking up.

It was in this gentle wandering that we met Julian and his girlfriend, Sandra.

They asked what had brought us to Paris, and we answered in kind. Soon, we were deep in conversation, trading stories of our lives, ours in America, theirs in Paris. There is a certain kind of fleeting camaraderie that forms in moments like these, where neither side expects permanence, and yet both lean fully into the connection.

For a few hours, we were simply part of one another’s stories.

They led us to a club, one far removed from anything we had originally planned.

It was the sort of place where locals belonged, where the rhythm of the night pulsed differently. It was tucked along a street. Do not ask me where, for I doubt I could find it again. With a nod from Julian to the bouncer, we slipped inside, crossing an invisible threshold into another version of Paris.

The air was warm and thick with music. The dim light created an intimate atmosphere like it was holding a secret only Parisians knew. We sipped wine and talked, our voices rising to meet the hum of the crowd as the hours stretched on.

And then, suddenly, the room erupted.

A woman appeared, dressed in something delightfully eccentric, a candle balanced atop her head (and I am not entirely sure if her chest was bare, she had on quite the number of necklaces). She sang loudly, joyfully, with a theatrical abandon, moving with a confidence that demanded attention. The crowd joined her instantly, clapping, singing, cheering.

Sandra leaned in to tell us it was her birthday.

It was not how I would have chosen to celebrate, but who was I to question a Parisian in her element?

As the night wore on, exhaustion crept in, the kind that settles deep in your bones after days of walking, of seeing, of feeling everything all at once.

Reluctantly, we apologized and said our goodbyes.

We exchanged Facebook information with every intention of keeping in touch. But as life so often goes, we never did.

Some things, perhaps, are meant to remain exactly where they happened.

In Paris.

Back at the hostel, I checked my email and confirmed our meeting place with Frieman.

The next morning, we set out once more into the city, this time successfully finding him. Though we did not have long together, we lingered over lunch, swapping stories and savoring the flavors of a city that had already given us so much. He drew me a small Eiffel Tower on a napkin, the perfect memento of my trip. 

After lamenting our struggles with the metro, Frieman kindly took the time to explain it to us. Confident now, we set off to retrieve our luggage before catching our train.

We followed his directions carefully.

At least, we thought we did.

Emerging from the metro into the bright spring afternoon, we found ourselves somewhere entirely unexpected.

The red light district. 

We stood there for a moment, taking it in, the bold storefronts, the neon signs, the unapologetic nature of it all.

Then we looked at each other and burst into laughter.

Never one to miss an opportunity, I leaned in and said, with what I hoped was convincing innocence, “Well… since we’re here, and we’re both engaged, we may as well find something memorable for the honeymoon.”

Smirking and trying not to laugh too loudly, we stepped into a shop and that may or may not have been our only stop.

What exactly we purchased shall remain between Erika and me, and left to your imagination, dear reader.

But we did make certain to stop for a picture in front of the Moulin Rouge before making our way back to the hostel… and eventually, to the train. Only stopping a few times to ask for directions from bemused shop owners. 

All in all, it was a weekend in Paris well spent.

A true bucket list adventure, full of mishap and magic, art and laughter, wine and wandering, fleeting friendships and unexpected stories.

And perhaps that is what travel is meant to be.

Not a perfect itinerary.

But a collection of moments, some planned, many not, that come together to form something far richer than anything we could have designed ourselves.

Paris, Part 3: Secrets Beneath the City and a Lesson in Letting Go

We continue our journey through beautiful, enchanting Paris.

It is important, dear reader, that when traveling one is not too set on any particular place or thing, lest you miss out on a spectacular find or hidden gem the guidebook overlooked. This is one of the reasons I rarely book a full day of activities. I like to leave space for moments of serendipity to take hold.

Which is precisely where we found ourselves next.

For beneath the vaulted ceilings and looming gargoyles, the Lady of Paris holds a small secret: the Archaeological Crypt. A title, as you know, certain to get my attention.

Just as we were about to leave the cathedral in search of the Eiffel Tower, we stumbled upon a small sign beckoning us to explore below.

It felt almost mythical descending the steps into the dimly lit corridors of the crypt, as if stepping through a portal in time.

Unlike most museums, where artifacts are removed, broken apart, and neatly arranged in brightly lit halls with placards explaining their importance, this space preserves them exactly where they were found.

The layers tell the story of Paris.

Stone remains whisper of traders calling out their wares, pilgrims making their way to holy places, children laughing in the morning sun. The quiet of the crypt stands in sharp contrast to the cacophony above.

Most tourists pass it by in their rush toward the next “must-see.” They do not pause to reflect on the centuries that built this city.

Yet the stones remember.

Roman ruins: wharves and docks once used for trade. Bathhouses where elites conducted business. Defensive walls against invading Germanic tribes. Medieval streets leading travelers toward the cathedral. Remnants of an ancient chapel. Foundations of a Renaissance orphanage.

Today, the museum includes interactive displays that bring the past to life. But even without them, I could feel the weight of history, a hundred generations whispering across time.

We emerged from the crypt back into the sunlight, now drifting toward the horizon.

Consulting our map, we had two more “must-sees” to check off our list: the Arc de Triomphe and, of course, the Eiffel Tower.

Now, dear reader, a word of warning. The Arc de Triomphe sits in the middle of a very busy traffic circle. Do not do as we did and dart across the road, flirting equally with traffic and death.

There are underground entrances, as we later discovered, that allow for safe and easy access to this memorial honoring those who fought in the Revolutionary and Napoleonic Wars.

To be honest, while impressive in size, it lacked emotional weight for me. In contrast to the crypt, it felt flashier but ultimately hollow.

Perhaps for a French citizen, it carries far greater meaning, standing as a reminder of the blood shed for their country. But for me, it was something I could have skipped in favor of lingering in a café.

And then, of course, the Eiffel Tower.

What other landmark is more instantly recognizable as the symbol of a city, or even a country? A single silhouette, and the mind goes immediately to Paris.

Dear reader, I highly recommend visiting the tower at dusk.

The daytime crowds begin to thin, and a kind of hush settles over the air. Oh, there are still tourists milling about, but there is a softness to the evening, as if people have remembered that life is not about rushing, but about savoring small moments.

We approached the tower after a long day of walking and purchased tickets for the elevator (though today, you would be wise to book ahead).

The top level was closed for renovations, but we did not mind. We could still visit the café and take in the view.

As the sun dipped below the horizon, the city transformed.

Lights flickered on like scattered stars. Colors softened into shades of gray. And the tower itself shimmered to life in a glittering display.

We sipped warm hot chocolate and looked out across the city, quietly content.

Exhausted, famished, and thrilled, we made our way back toward the hostel, stopping at a restaurant for dinner.

I had taken one year of French in eighth grade, which proved entirely useless when attempting to decipher the menu. I could identify mushrooms and cheese in a few places, but the rest was complete gibberish.

Hungry and overwhelmed, I did not relish the idea of struggling through a back-and-forth with the wait staff.

So I employed a trick that has served me well ever since: I asked the waiter what his favorite dish was and told him to bring me that.

He seemed delighted that I was entrusting my palate to him.

This approach is not for picky eaters, but I am fairly adventurous. In fact, there are only two foods I genuinely detest: pickles and Jell-O.

In the years since, this trick has never failed me. Wait staff often know the menu better than anyone. They return to the same dishes again and again, and those are often exactly what you want to try.

Now, I would be remiss not to mention the shameless flirting that followed, nor the belated April Fool’s joke he played on two unsuspecting Americans.

Having entrusted him with our meal, we had also, to some extent, entrusted him with our wallets.

So imagine my surprise when he returned with a bill for nearly 300 euros, entirely in French.

Unsure what else to do, I prepared to pay it. After all, we had ordered the food. If there had been a misunderstanding, I was ready to take responsibility for it.

I believe he was just as surprised by my reaction as I was by the bill.

Instead of arguing, I simply accepted it.

Fortunately, he did not take advantage of my naivety. He laughed and revealed it was a joke, much to my immense relief.

He did, however, invite us dancing. We politely declined. We were both spoken for and had no desire to lead him on.

The lesson here is simple: if you let someone choose your meal, have them point to it on the menu. No surprises.

And do not be intimidated by a language you do not know. A little pointing and a rough mental tally go a long way.

We were fortunate. The lesson came through humor rather than costly experience.

Late that evening, we wandered back to our hostel through quiet, darkened streets.

Surprisingly, whether due to youth or good shoes, I was not footsore despite walking all day. Instead, I was happily exhausted, my head filled with history and excitement.

It felt like a waking dream. Paris was no longer an abstract idea, but something real and tangible.

Still, exhaustion finally caught up with me, and I fell asleep almost instantly.

Morning came with sunlight streaming through the window.

I stretched lazily, not quite as energized as the day before, but still eager to see what lay ahead.

As we discussed our plans before meeting Frieman later, I happened to glance up.

There, just beyond the buildings, stood the white dome of the Basilique du Sacré-Cœur.

I turned to Erika.

“Remember how I said there was no way we were walking all the way across the city to see that church?”

“Yes?”

“Well… we already did. Because it’s right there.”

Oh, how the universe laughs, dear reader.

Paris, Part 2: Walking the City and Choosing What Matters

Forgive the brief interlude in my tale of Paris, but as you well know, I always sprinkle tidbits of wisdom between my stories of adventure. After all, I don’t just want you to go off and have fun. I truly hope this is a place where we can grow together and create lives punctuated by adventure rather than longing for it as an escape from daily misery.

Now, we left off, dear reader, with my arrival: tired and exhausted from a sleepless night but pumped full of adrenaline, the equivalent of five or six cups of coffee coursing through my veins.

I had already gotten thoroughly lost on the way to the hostel and had largely given up on public transit as a viable means of navigating the city. Honestly, that’s only a feat a young twenty-something can get away with.

Now, I’m not entirely certain what the rules are for crossing the streets in Paris, but they did not appear to follow the ones I had grown up with. There were multiple occasions when the light was clearly red and people were walking, and others when it was green and everyone simply stopped.

Both my travel partner and I were quite confused by this apparent inconsistency.

It was decidedly not like Germany, where people display an almost obsessive adherence to rules. Even if there isn’t a car in sight, they will dutifully wait at the crosswalk until the light indicates it is time to cross.

However, after one or two close calls with traffic, we simply looked at each other, shrugged, said “when in Rome,” and followed the Parisians for guidance, forgoing the lights entirely since they clearly could not be trusted.

Our first stop was the Louvre, which is a must for any lover of art and history. Not only does it house one of the most famous paintings on earth, it is also the largest and most visited art museum in the world.

Originally built as a fortress and later expanded into a royal palace, the Louvre now spans roughly 2.3 million square feet. Of its approximately 380,000 objects, around 35,000 are on display at any given time.

Considering it would take over three months to see the entire collection, we decided to focus only on the highlights and the pieces that spoke most to us.

There are plenty of guides that will tell you the “must-see” works at the Louvre. But if something doesn’t speak to you, skip it. Focus on the areas of art and history you genuinely enjoy.

I, for one, would recommend skipping the Mona Lisa.

All it really amounts to is a photo opportunity for social media. It’s tiny, placed behind thick glass in a poorly lit room with hundreds of people pushing and shoving for a better look. You’re honestly better off googling a picture for all you’ll actually see.

Any contemplative awe you might have felt is drowned out by the din of the crowd and the smell of raised armpits as phones are hoisted into the air for a better shot.

If you aren’t paying attention, your belongings might get nicked, and you could spend the rest of your Paris trip trying to recover stolen credit cards while cursing the day you were introduced to the pernicious lady with her sly smile.

After all, she too was once stolen. Why not cavort with thieves once again?

As I’ve said in other posts, don’t let other people’s opinions dictate what you do or do not do. So if you must see the Mona Lisa, I shall not judge you for it.

Just remember that the Louvre houses centuries of art, offering millennia of history to explore, not just stuffy Italians and pretentious French painters.

Its oldest piece is estimated to be around 9,000 years old and is well worth the trek to see.

Since I was traveling with an archaeology major, we spent most of our time in the Greek and Roman sections, along with some of the French collections.

My personal favorite was the sculpture Psyche Revived by Cupid’s Kiss. Not because I have a particular fondness for eighteenth-century French sculpture, but because one of my favorite books is Psyche and Cupid by C. S. Lewis.

Art isn’t always just about what the artist intended, its place in history, or the techniques used. It is also about what it evokes in us.

I would argue that this is what art is most about: what we bring to the moment of encounter.

When I looked at that sculpture, I did not simply see the Greek myth. I saw it retold through a different lens. A revival not just of Psyche, but of myself.

Small tip: book your ticket in advance.

Prior to the pandemic, the best way to get into the Louvre was through one of the side entrances to skip the long lines. However, with its ever-growing popularity, daily visitor numbers are now capped, meaning the only way to guarantee entry is with a pre-booked ticket.

Sorry to all my free-spirited wanderers.

Having conquered a small portion of the Louvre, we ventured forth to the Lady of Paris: the Notre Dame Cathedral.

Walking through Paris instead of taking public transit allows you to experience the city in a completely different way. You breathe it in.

On foot, you notice the small shops and hidden corners that would otherwise blur past from a bus window or subway seat. The scent of coffee lingers in the air as you stroll by cafés, while the temptation of fresh-baked bread drifts from bakeries onto the street.

In early spring, the flowers spill across the sidewalks and painters emerge as if the season itself has burst through the concrete, refusing to remain buried beneath winter any longer.

Everywhere is a riot of color and life. Musicians greet you with cheerful melodies, and you cannot help but sway your hips just a bit in time with the music.

It was on our way to Notre Dame that we stumbled upon an artist selling watercolor paintings of the Eiffel Tower, the Arc de Triomphe, Notre Dame, and the Basilica of the Sacred Heart of Montmartre.

For a set of four, it was perhaps forty euros, an absolute steal, and it was there that my habit of buying art as a souvenir was born.

Erika and I split the cost and decided we would determine who received which painting at the end of the trip.

Long before we saw its doors, the twin towers of Notre Dame rose proudly above the surrounding buildings, beckoning us closer.

The cathedral was completed in 1260, though additions were made in the centuries that followed. Like any church nearly eight hundred years old, it has seen its share of glory and hardship: wars, neglect, desecration, and most recently, fire.

Fortunately, we visited before the fire and the subsequent debates over the restoration of its windows.

As a Christian myself, I was fascinated by the displays of Catholic artifacts that told the story of the church’s role in medieval Europe. I saw relics carefully displayed and read about how the church intersected with everyday life in the heart of France.

However, much like the Mona Lisa room, it was not a place of hushed awe but rather a chaotic stream of tourists passing through.

Contemplation was not something I readily found there. (For that, I recommend seeking out some of the lesser-known churches.)

By this point my legs were beginning to feel the day’s journey, but that did not dissuade me from climbing to the top of the cathedral to take in the city below.

From there we saw, glittering in the bright spring sun, the white dome of the Basilique du Sacré-Cœur.

At the time, I must admit my ignorance. I had never heard of the church, and neither had Erika.

She suggested we should visit it.

I squinted across the grid of busy streets at what appeared to be an impossible distance to walk and declared quite confidently that there was absolutely no way I would trek all the way there.

Oh, dear reader, how the universe loves to laugh at the things we believe are beyond us.

For unbeknownst to me, I would indeed walk there.

But that is a story for another day.

And so, in the interest of time, I must pause my tale here.

You will have to return for Part Three.

Reverse Bucket List: A Weekend in Paris (Part I)

“How do you feel about a weekend in Paris?”

I twirled in my chair, hair whipping across my face, and fixed my friend Erika with a look that needed no elaboration. Her response was immediate. A squeal. A clap. An emphatic, “Yes.”

After all, what else does one say to Paris in the spring?

Such spontaneity, dear reader, is only possible when you are determined to drink deeply from the cup of life while living abroad. For an American especially, there is something intoxicating about the ability to hop on a train and cross into another country before lunch. When you come from a place where a single state can rival the size of an entire nation, the idea feels almost illicit, perhaps even scandalous.

So without further ado, we secured tickets on the high-speed train from Frankfurt to Paris. Arm in arm, we walked toward the station, already breathless with plans: art, museums, music, culture, food, people. And what a people!

A sudden unplanned Paris in a weekend?

Madness. An affliction surely.

Which is precisely why we had to do it.

The true catalyst was a message from a dear friend who would be spending a week in the city and wondered if I might join him for a day. An afternoon in Paris with a friend who happened to be an artist of some renown? The answer could only be yes. After all, who could be the more perfect tour guide?

This was before smartphones lived in our pockets. Before we had google at our fingertips and the assuredness that comes with having all the answers tucked away. We packed lightly, wrote down the number of the American embassy, ensured we had our emergency contacts into our bags, and armed ourselves with a travel guide and a healthy dose of gumption. Travel then required nerve. Trust. If you got lost, you figured it out. If you mispronounced something, you survived the embarrassment. There was no digital rescue waiting in your palm. Which is honestly, what I miss most about travel these days.

The train hurled us across the countryside, fields bursting with early spring color flashing past the windows. I could not help comparing it to Pennsylvania. Lancaster County, in particular, bears a resemblance to parts of Germany, and for the first time I understood, in a small but tangible way, why so many Germans had settled there. Hiemweh melted away leaving a strange sense of coming home even across an ocean.

Three hours is long enough to plan a city and short enough to realize you cannot conquer it. We trimmed our ambitions to a few must-sees and a handful of hopefuls. The Louvre alone could swallow a week. Paris, we decided, would not be conquered. It would simply be experienced.

Crossing the border was almost anticlimactic. An announcement crackled overhead. That was all. No passport stamp. No interrogation. It felt like slipping into Ohio, except the anticipation hummed in your bones. No offense to Ohio of course, but really are we going to say it compares to France?

And then we arrived.

First Things First: Find the Bed

Before romance, before art, before croissants on café terraces, there is one universal truth of travel; You must find where you are sleeping.

Armed with a folded map and confidence wildly disproportionate to our navigational skill, we set off to locate our hostel.

Now, in our defense, the streets of Paris are confusing.

Unlike the tidy grid systems Americans grow up with, Paris feels as though it was designed by someone who enjoyed curves, diagonals, and the occasional act of mischief. Streets fork unexpectedly. They change names without warning. A road that appears straight on a map somehow bends in real life. And the street signs? They are affixed to the sides of buildings, charming blue plaques that would be immensely helpful if they were not routinely obscured by graffiti, peeling posters, or layers of mysterious paper advertising concerts long since passed. It was an exercise in hopeless confusion and frustration.

More than once we stood directly beneath a sign, craning our necks and squinting upward, trying to determine whether we were on Rue de Something Important or merely staring at a band flyer partially concealing our destiny.

And then there was the metro.

For the uninitiated American traveler, the Paris metro is not transportation. It is an initiation ritual.

Lines spiderweb across the city in a dizzying tangle of colors and numbers. Trains are labeled by their final destination rather than the direction you believe you are traveling, which requires you to know far more geography than you actually do. Stops are announced quickly, sometimes swallowed by the metallic roar of the car, and the maps inside the train might as well have been abstract art for all the clarity they offered at first glance. Especially, if one has never traversed public transit before. Which alas, many Americans have never been on anything more than a school bus.

You descend into the underground with confidence. You emerge twenty minutes later into a vast plaza with six exits, each pointing toward a different arrondissement, blinking in the daylight thinking, This seems right.

It is rarely right.

One exit leads you in the exact opposite direction. Another deposits you onto a boulevard you did not know existed. A third leaves you staring at a fountain that looks vaguely familiar but is, in fact, not the fountain you were seeking.

Given these small obstacles, I consider it nothing short of miraculous that after a few wrong turns and some enthusiastic but misguided pointing, we found our hostel at all. 

Little did we know, this was only the beginning of our navigational adventures and given the amount of confusion the metro caused, we determined that the best way to get anywhere was by foot. Yes, you read that correctly. I walked Paris in a weekend. I estimated that I traversed at least 15 miles. Though as this was before the popularity of step counters, I only have my best estimates.

The hostel itself was functional in the most generous sense of the word.

If you have never experienced a European student hostel, allow me to clarify something, it is not glamorous by any stretch of the imagination. It is economical. And it is very much a young person’s sport.

The shower required physical encouragement. You had to press the button, and water would flow for approximately twelve optimistic seconds before shutting off again. Want to rinse shampoo from your hair? You had to keep pressing it like you were negotiating terms. The “hot” water hovered somewhere between hopeful and politely lukewarm.

Breakfast was included, which sounded promising until we discovered that “included” meant toast, jelly, and coffee. For Americans raised on sprawling hotel buffets complete with eggs, waffles, fruit, yogurt, and pastries, this was a humbling cultural exchange. There was no omelet station. No waffle iron. There was toast.

And you were grateful for it.

We adapted quickly. A stop at a neighborhood grocery store provided bread, cheese, and sliced meat. It was the perfect strategy: sustain ourselves during the day, conserve our funds, and reserve our modest budget for dinners out in the evening. For two college students, it was a masterclass in practical travel. Frugal by day. Indulgent by night.

The hostel was never meant to be the highlight. It was the launchpad. A place to drop our bags. A place to sleep. A place from which to begin.

And begin we did.

What followed was a blur of museums and miscalculations, attempted French and accidental detours. We wandered into neighborhoods we had only read about. We misread maps. At one point, quite unintentionally, we discovered that we had strayed into the red-light district. There is nothing quite like realizing you are lost in a foreign city and that the neon lighting is… intentional.

But that, dear reader, deserves its own telling.

Because Paris was not merely art and architecture. It was a lesson in courage. In frugality. In friendship. In the quiet bravery required to step into the unknown without guarantees and trust that you will find your way.

This is what I mean by a reverse bucket list. Not the grand achievements we hope to accomplish someday when everything is perfect, but the moments we dared to say yes to when they appeared. The train we boarded. The map we unfolded. The hostel we made work. The city we entered anyway.

A fulfilling life is not built by waiting until conditions are ideal.

It is built by saying yes before you feel entirely ready.

In the next post, we will step fully into the city itself. The beauty. The bewilderment. The glorious inconvenience of getting lost in Paris.

And why, sometimes, that is exactly the point.

Reverse Bucket List: Unicorn Tapestries

Occasionally, I like to share items from my reverse bucket list or include tales from further afield. Not to stray from the purpose of this blog, but to present an honest picture of the life I am living and the goals I’ve pursued. I would be remiss to showcase only the things I’ve done close to home, as that would create the false impression that everything meaningful can be accomplished without ever leaving it.

Depending on where you are, and what you want from life, some travel may be required.

More importantly, I have no desire to present a polished illusion. I’ve watched enough influencers and internet personalities over the years to know that the truth has a way of surfacing. I do myself no favors by crafting a narrative that isn’t real.

Who knew honesty was the best policy?

This particular item belongs both to my reverse bucket list and to those adventures further afield.

It should come as no surprise, dear reader, that I love unicorns.

I know, you’re shocked. Completely blindsided. Never in a million years did you see this confession coming.

Sarcasm may be my second language, followed closely by questionable English and then German.

Photo by Karolina Grabowska on Pexels.com

I digress.

My love of unicorns began early. My very first stuffed animal, given to me the day I was born, was a unicorn named Rainbow. She doubled as a music box, playing Somewhere Over the Rainbow, and for years she was my constant companion. She even made the journey with me to Germany during my college days. Today, she still sits on a shelf in my room.

Growing up in the 90s, unicorns were not nearly as easy to find as they are now. That scarcity made each one feel special. My mother somehow always managed to track them down—books, toys, anything she could find. I devoured every unicorn story I could get my hands on, including one that introduced me to The Lady and the Unicorn.

This series of six medieval tapestries, now housed in the Musée de Cluny in Paris, is among the most famous examples of millefleurs design—literally “a thousand flowers.” The backgrounds bloom with intricate botanical detail, each thread contributing to a lush, almost dreamlike landscape.

Woven around the year 1500, likely in Flanders from wool and silk, the tapestries depict the five senses: touch, taste, smell, hearing, and sight. The sixth panel, bearing the phrase À mon seul désir, “to my only desire”, remains something of a mystery. Interpretations vary. Some see it as a renunciation of earthly pleasures, others as a declaration of free will, and still others as representing a kind of sixth sense.

I have always appreciated that it resists a single, definitive meaning.

Interestingly, the tapestries were rediscovered in 1841 at Boussac Castle after being hidden away for centuries. The novelist George Sand helped date them to the 15th century based on the clothing depicted—a reminder never to underestimate a woman’s eye for fashion.

Beyond their beauty, the tapestries reveal much about the world that created them. They reflect the relationship between artists and their patrons, with heraldic symbols woven into the designs. They echo the influence of the Christian church, as much of the art from this period does. Even the unicorn itself often carried symbolic meaning, sometimes representing Christ in medieval imagery.

They were not merely decorative. They were statements of wealth, power, and belief, while also serving the practical purpose of insulating cold stone walls.

 

I almost missed them entirely.

When I traveled to Paris in April of 2009 during my study abroad, the trip itself was something of a last-minute decision. A friend mentioned he would be there, and so Erica, a fellow American and fellow fantasy enthusiast, agreed to join me.

There I was, in Paris, soaking in museums, history, and food (they did not lie, the food is exceptional), when I began noticing unicorn imagery everywhere. Bags, notebooks, pillows, souvenirs of every kind.

At first, I dismissed them as standard tourist fare.

It wasn’t until I found myself in Sainte-Chapelle, one of the most breathtaking churches I have ever seen, that curiosity got the better of me. I asked, somewhat casually, “Are those tapestries here in Paris?”

“Yes,” came the reply.

My excitement escalated rapidly.

“Where?”

“The Medieval Museum,” she said, kindly providing directions to what was clearly an overly enthusiastic American.

Erica, being an archaeology major, needed very little convincing. We immediately changed course and set off across the city. Did my feet hurt from walking nearly fifteen miles that day? Yes. Did I care?

Absolutely not.

There were unicorns to see.

(We will not discuss how we failed to navigate the subway system and instead walked nearly the entire historical district.)

It took considerable self-control not to sprint through the museum upon arrival. I made a valiant effort to behave like a reasonable adult, though I suspect I failed. While I attempted composure, I may have been not so quietly repeating “unicorn” under my breath.

I was twenty-one. Such enthusiasm was permissible. Although when exactly does that stop being permissible? I think I ought to be able to go through a museum excitedly bouncing up and down at all the artifacts and history regardless of age.

Finally, we reached them.

They were even more extraordinary in person than I had imagined.

Some works of art suffer from familiarity, diminished by reproduction. These did not. If anything, every image I had ever seen had undersold them. Up close, every thread becomes visible. Every flower distinct. The scale alone is impressive, but it is the detail that truly captivates.

It is impossible not to consider the time and labor embedded in them. Estimates suggest that a set of tapestries of this size could take dozens of weavers many months, if not over a year, to complete, not including the design work beforehand.

In today’s world, where we can purchase something decorative with a few clicks and have it delivered in days, it is difficult to fully grasp that level of craftsmanship and patience.

As I entered the dimly lit gallery, my excitement softened into something quieter.

Awe.

My breath caught as I approached. Time seemed to slow. I studied each panel carefully, tracing patterns, noting details, and wishing I had the botanical knowledge to identify every plant woven into the scene.

I said very little. What could be said?

No photograph does them justice. Images flatten them, shrink them, strip away their presence. Some things must be experienced in person to be understood at all.

Too soon, it was time to leave. There was still more of Paris waiting, and far too little time to take it all in.

Adieu, mon amour.

Perhaps we shall meet again.

Pardon the darkness of the picture, this was taken in 2009 and flash photography was not permitted

How can you see tapestries?

Well, you don’t have to hop on a plane to France to see tapestries. There are museums here in the United States that display various tapestries from the Medieval and Renaissance eras. If you are particularly interested in seeing unicorn tapestries after reading me wax poetic about them, there is a set of them at the Cloisters in New York which are governed by the Metropolitan Museum of Art. They are a set of seven tapestries, also from around the same period as The Lady and the Unicorn and are in the style of the thousand flowers. Just as with the tapestries in France, these also hold mysteries such as how to interpret the tapestries and even who they were made for. Depending where you are in the country, a plane ride may or may not be necessary. 

I highly recommend if you ever get to either New York or Paris, to take time to see these masterpieces. Provided of course such things are of interest to you. You know by now, that I always tell people to skip that which holds no interest or intrigue to them. Life is too short to waste it on things you don’t enjoy.